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Pyle and Childhood « The Thinking Housewife
The Thinking Housewife
 

Pyle and Childhood

November 9, 2011

 

mermaid

[The Mermaid, Howard Pyle; 1910. Courtesy of the Delaware Art Museum.] 

THE WORKS of the great American illustrator Howard Pyle, who died 100 years ago today, are a message from the past.  In the hundred years since Pyle died, the world of children has changed profoundly. It has not changed all for the worse obviously. Medical care is much better and living conditions are good. However, children no longer inhabit a mentally separate realm. It’s not just that they are exposed to sexually-explicit imagery and music. Even in run-of-the-mill commercials, as Neil Postman noted in his book The Disappearance of Childhood, children are initiated into the world of adult worries and concerns. In commercials about prescription drugs, car insurance and politics, they encounter the trivial preoccupations of adult life.

Childhood is in some ways a form of higher awareness. “What a distressing contrast there is,” said Sigmund Freud, “between the radiant intelligence of a child and the feeble mentality of the average adult.” Children know things adults can no longer fully grasp.  The adult world once protected that knowledge and melded it gradually with reason, information, practical ability and wisdom. Technological change and spiritual decline have abolished that protection. It is gone in a larger cultural sense and the individual parent is left to fight against the prevailing tide.

Fortunately, Howard Pyle is still alive. Just last weekend, I was at a library book sale when, as I was about to leave, I turned to a table of children’s classics. There for $2 was the 1919 edition of Howard Pyle’s novel Men of Iron. It was one of those moments of synchronicity, given that I have been writing about Pyle, that have convinced me over the years that angels have specific interests and like to interfere with our reading. Men of Iron is the fictional account of the young son of a lord during the reign of Henry IV who is unjustly accused of treason. The son, Myles Falworth, sets out to avenge his father and recover his family’s good name. Pyle’s illustration below, courtesy of the Delaware Art Museum (now staging a major retrospective of his work), depicts Henry IV on the first page of the book.

I brought the book home. It was a message from a past that still lives and from a remarkable man who had a sense of the inherent nobility of his artistic mission. Where the children’s illustrator today offers unease, confusion and escape in the occult, Pyle offered the heroic. He gave children a reason to anticipate adulthood with excitement and to perceive it for what it is, even in modern cities and office parks: a battle between the forces of darkness and the forces of light.

 

men of iron

 

— Comments —

Greg Jinkerson writes:

Thank you for your ongoing coverage of the life and work of Howard Pyle. Until I started seeing your posts of his wonderful paintings and thoughts on the meaning of his work, I was unfamiliar with this man. And about the angels who you observe influencing your reading, I concur. These angels of literature nudge me all the time toward heroic works, often through several independent sources that arise in rapid succession during conversation or reading. It happened to me very recently. A writer whose judgment I highly value recommended reading aloud to children from Johanna Spyri’s “Heidi.” Very shortly later, I was in a thrift shop and happened upon a beautiful old illustrated edition of the novel for two dollars. Of course I bought it, not knowing if or when I would read it for pleasure. Finally, I got a third nudge, when CWNY praised “Heidi”, and I’m now enjoying the pleasures of reading it to my son. Were I not a Christian, I might chalk such confluences up to random chance. But when I receive a recommendation of a book from one source and then, as I often have, see a cheap copy of the book somewhere unexpected, I get the undeniable sense of divine superintendence. The illustrations of my edition, by William Sharp, are beautiful. You can see examples from my edition here.
Jill Farris writes:
 
Your insightful statement that, “…angels have specific interests and like to interfere with our reading” rang a bell with me. I’ve suspected this for a long time but never been bold enough to think it out loud – love it!
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