Punks
June 9, 2016
PAUL C. writes:
The Blackboard Jungle, Rebel Without a Cause, West Side Story, and The Wild Ones are examples of misplaced sympathy for white punks in the 1950s and early 1960s. It is the same ideology that was later transferred to black punks and remains. The idea is the punks don’t need discipline or deserve punishment, they need sympathy, understanding, and money from the establishment.
It is not their fault. It is someone else’s fault. The brief smile they put on Marlon Brando’s criminal face at the very end of The Wild Ones was supposed to be proof punks were sweethearts. I wanted to punch Brando’s character yet again when I finally watched the stupid movie to the very end in the last year. (I must have been very tired and lazy.)
The fault was of course white people (the establishment at the time), but the whiteness quality did not become explicit until the 1960s, when whites began to get what they supposedly deserved and still deserve after fifty years. The idea is now so entrenched that whites are routinely blamed for all the nation’s ills. Liberals are now allowed to call for the elimination of white people, and the Media says nothing or cheerleads.
Last night Megyn Kelly, whom I usually avoid watching because she is a liberal, was interviewing someone trying to defend, sort of, Trump’s criticism of one of our suddenly sacred federal judges based on his probable bias against whites. You know, the sacred people who gave us chaos, abortion, homosexual “marriage,” and males in female bathrooms and locker-rooms. The guy could not spit out the evidence Trump was relying on, that is, La Raza.
I wonder whether Kelly, a supposedly learned person, mentioned the sacred Hispanic Justice Sotomayor’s views as pointed out by Ann Coulter: “No one denounced now-sitting Supreme Court Justice Sonia Sotomayor for her ‘wise Latina’ speech, in which she said ‘our gender and national origins may and will make a difference in our judging.’” Not likely. Kelly feels it galling for a white male to articulate the truth about someone who belongs to a bunch of anti-American, anti-white punks, La Raza.
