Ralph Vaughan Williams, 1920

REFLECTIONS on the often bittersweet musical landscapes of the great English composer, Ralph Vaughan Williams (1872 – 1958), as well as his contemporary Gustav Holst (1874 – 1934), are posted at The Orthosphere. Thomas F. Bertonneau writes:

Concerning landscape – and its aesthetic and metaphysical meanings – the philosopher Roger Scruton has written in his study of Beauty (2009) that, “Landscapes… are very far from works of art – they owe their appeal not to symmetry, unity and form, but to an openness, grandeur and world-like expansiveness, in which it is we and not they that are contained.”  In confronting the landscape, then, the percipient subject experiences something like a cosmic moment, understanding his own mortal limitations against the enduring earthly and vegetative environment that affords him a home and yet, being non-sentient, remains alien or at least indifferent to him.  Yet vegetative though it might be, the landscape can stand as metaphor for something else sublime and, with respect to man, entirely prior and creative – namely the divine.

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