A Proof of Immortality
February 15, 2017
Sporting Boat, ca. 1981–1975 B.C.; Tomb of Meketre; Metropolitan Museum of Art
ONE OF the proofs of the immortality of the human soul is the fact that most people in history have believed in it. Even when their own culture denied it, the common people often embraced it. Perhaps God conveyed this knowledge to the earliest humans and they passed it down from generation to generation so that, while it appears in many forms, it can never disappear or fail to become a common opinion, even if ill-defined and vague. In the modern world, many people say they believe the soul is annihilated after death, but at the same time they sometimes talk, especially at funerals, as if it will live on, as if they cannot truly accept what they say they believe. This constant gravitation toward the belief in immortality suggests that it is true.
The Ancient Egyptians had a very strong sense of immortality and, as is well known, the tombs of the wealthy were intended to be actual dwelling places during the afterlife. Here is one of the remarkable true-to-life scenes that decorated the Tomb of Meketre, the royal chief steward who began his career under King Nebhepetre Mentuhotep II during the Middle Kingdom. Entire model scenes such as this were created out of wood for the homes of the prosperous dead so that they would have a comfortable afterlife:
Among the pleasures of an Egyptian noble’s life were hunting excursions in the Nile marshes to fish and hunt birds. Papyrus rafts or light boats such as this were used for such excursions. Here, Meketre and his son or companion are watching the hunters from a light shelter made of woven reeds and decorated with two large shields. In the prow, two men aim harpoons at some fish, while amidships a kneeling fisherman removes the harpoon from a bolti fish. An earlier catch, a large Mormyrus, is being presented to Meketre. A bunch of coots, caught previously in a clapnet, are presented by a man and a woman, who wears a bead net over her shoulders, brings a duck. The poles of the clapnet are now lashed to the grilles of the shelter; the net pegs lie on the deck. The presence of females from a noble’s family in such marsh scenes is a recurring theme in Egyptian art.[Source]
The Egyptians were so convinced of immortality that they expended enormous resources to accommodate it, not just by constructing vast pyramids but by creating exquisite replicas of real life and its small pleasures.
