An Architect’s “Brutalism”

“GRATEFUL READER” writes:
Your photographs of Roman doorways capture the character of the holy Christian city magnificently. Two recent book reviews came to mind from your following comment,
The grandeur of these doorways and their useless ornamentation are deeply attractive to those who find so much of the modern world visually cold, austere and brutally ugly.
The book called Le Corbusier, the Dishonest Architect by Malcolm Millais has been reviewed by Nicholas Salingaros and Theodore Dalrymple.

Salingaros, a professor of mathematics and architecture, writes of the Swiss-French architect Charles-Édouard Jeanneret, known as Le Corbusier, and his cult following:
“Millais analyzes numerous structural faults with the iconic 1952 Unité d’Habitation apartment block in Marseilles, France [photos here]. Here is the original model for dark, dreary, double-loaded internal corridors, and apartments with one side in darkness and the other with impossible glare. Cult followers reproduce it as a perfect prototype, whereas Millais’s authoritative conclusion is damning. How could a building containing so many errors of design and construction—most due to untested ideas—have received a permit? The answer is that the Housing Minister waived all building regulations. Architectural culture deliberately ignores all these faults, while critics endlessly repeat self-serving lies that Le Corbusier himself invented to cover up his ignorance and mistakes.
“Le Corbusier’s unbuilt design for slaughterhouses for the French industrialist Max Du Bois was recycled to become the Unité d’Habitation. Later, Le Corbusier revisited this macabre theme in his idea for the Philips Pavilion, a building financed by the Dutch Electronics Company Philips for the 1958 Brussels World’s Fair. Corbu describes his chilling idea: “It should appear as though you are about to enter a slaughterhouse. Then once inside, bang, a blow to the head and you’re gone.” So, Monty Python’s 1987 The Architects Sketch starring John Cleese was spot-on after all.”
The following excerpt from The Architects Sketch indicates the comedians’s recognition of pathology in the modern architect’s intentions: (more…)










