
The Artist’s Wife with Katherine and Philip, Han Holbein the Younger; 1528
SISTER WENDY BECKET, in her book The Story of Painting, wrote about this 16th-century portrait, a painting of the artist’s wife with their children, by Hans Holbein the Younger:
Artists have always painted their families, but this is the saddest version on record. He lived very little with his wife and children in Basel (the reasons may have been political, religious or financial), but this tragic little trio has all the withering marks of the unloved.
The dim-eyed wife presses down on the children, plain, pale little beings, all unhappy and all ailing. Holbein, that superb manipulator of the human face, cannot have meant to reveal their wretchedness and expose his neglect with such drastic effect. It is as if his art is stronger than his will, and for once Holbein is without defenses.
The court painter, native to Germany, captured the personalities of the rich and powerful of Europe by maintaining a “dignified distance,” without conveying any intimate knowledge. But here he gets closer:
Here his courtly shield is down, perhaps because of the artist’s personal sense of guilt. He was not a good husband or father, and while he can carry off any portrait with superb technical aplomb, he catches his breath and opens the inner door when he paints the family that he abandoned and neglected. Read More »