From the 1951 movie Angels in the Outfield
ALAN writes:
For your readers who enjoy movies from pre-Revolutionary times (i.e., before the 1960s), I would like to recommend one made by MGM in 1951. Angels in the Outfield is a black-and-white movie about the manager of a baseball team and an orphan. It is not primarily about baseball but about good and evil, self-control and its absence. It is not a great movie. It does not pretend to be. But it is charming and thoroughly satisfying to anyone who remembers American culture and baseball in the 1950s.
The story involves the influence of the orphan and a newspaper reporter on the manager and his bad habits. It features excellent performances by Paul Douglas as the manager, Janet Leigh as the reporter, Donna Corcoran as the eight-year-old orphan, and Keenan Wynn as an obnoxious sports announcer. Bing Crosby, Joe DiMaggio, Ty Cobb, and songwriter Harry Ruby appear as themselves in brief scenes.
The movie is a time capsule from 1951. There is no “diversity” or “multiculturalism.” There are no “messages.” There is a degree of orderliness in the behavior of the people in this movie that was common in 1951 and for some years after but would be astonishing to see in any public place today. Shakespeare is quoted on a baseball field. We get to see streetcars and scenes on the streets of Pittsburgh, where parts of the movie were filmed. Baseball teams traveled by train, and one scene takes place in a dining car.
Inside a Catholic orphanage we see immaculate rooms, hallways, wooden staircases, and the quiet dignity that Catholic nuns enforced. All those scenes are true to life: That moral code and orderliness were always there in the red-brick parochial school building I attended in the 1950s and in other such places.
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