THE CATHOLIC PRIEST today, in violation of many centuries of tradition, often finds himself surrounded on the altar by women and girls. This relatively recent innovation has changed the entire tone and symbolism of the liturgy. Women naturally, through their faces, their voices, their gestures and clothes, draw attention to themselves. Many women who serve as lectors, cantors or Eucharistic ministers are highly respectful in their demeanour and attire, but even so their presence is distracting. And some are not highly respectful. Female cantors are prone to project themselves excessively, making performance out of their role, their audience (and that is what a congregation is reduced to – an audience) captive to amateurish theatricals.
As I explain in the previous entry, there were many reasons why women were excluded altogether from the altar in the past. Only a philistine would view these traditions as scorn for women.
Some people say that declining vocations justify the presence of women on the altar. In fact, it is much more likely, if not certain, that the predominance of women leads to declining vocations. Men will never be drawn to the priesthood in large numbers if they must be adjuncts to women in their most visible role. To the modern man, holiness and manliness seem at odds – he may be hellishly torn between these contradictory drives – because of the loss of male authority and hierarchy. The effusive, emotion-drenched atmosphere of contemporary Christianity is like a gauntlet thrown down before him, a challenge to his elemental, irrefutable identity as a man.
The masculinity of the priesthood has been severely undermined, so much so that the issue of whether women should be priests seems all but settled, and this represents a crisis of monumental proportions.
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