IN THIS previous discussion, a reader asks:
How is [the pervasive sublimity of Muslim architecture – or, for that matter, poetry or spirituality] possible for a civilization that is “inherently false and evil”?
This is an important question (although, for clarification, it is important to note that I never asserted that Islamic civilization was false or evil, but Islam itself.) This question is important not just in regard to Islam but to all false doctrines that flourish, produce admirable works and create some civilized order. Please see Kristor’s outstanding and succinct response. In a few paragraphs, he explains why evil must and always will coincide with the Good. He writes:
If Islam is false, then Muslim saints, poets and architects who approach sublimity are all the more remarkable, for they have won through to the Good at the heart of all things despite their false religion. It should hardly surprise us that there are Muslims who have scaled such heights. The falsity of their religion does not annihilate their appreciation or capacity for beauty or goodness. Nothing can persist unless it has some good and truth in it. So even Islam expresses some truths. And everyone, no matter how many false beliefs he may hold, must if he is to live perforce confront and deal with the world as it really is: so that the truth of things must press upon him, and shape him. Anything that is, then, may by being the handiwork of God be also for some creature the occasion of a theophany.
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