Raphael’s Deposition, a Detail
April 4, 2012
RAPHAEL’S oil painting The Deposition (1507) depicts an unusual scene in which Christ is being carried to the tomb. It is one of the Italian High Renaissance artist’s greatest achievements and a dramatic masterpiece. Above is one detail; I will post others before showing the painting, which was part of a larger altarpiece, in full.
The youth in the foreground above, who is one of two people carrying the body of Christ, is believed to be Grifoneto Baglioni, who was killed in a feud between the Baglioni and Oddi families in Perugia in 1500. Atalanta Baglioni, the murdered youth’s mother, commissioned the altarpiece for the family chapel. In this detail, Calvary is in the background, the crosses standing out against a blue sky and billowy clouds. Mary, the Mother of Christ, has fainted and is supported by the three other Marys.
The bright vividness of the blues, golds and reds in this painting, which hangs in the Galleria Borghese in Rome, is not captured in this Internet image. In reality, the picture is brimming with exuberant color and passion.
Giorgio Vasari, the biographer of Italian artists, said of Raphael’s Deposition:
In this most divine picture there is a Dead Christ being borne to the Sepulcher, executed with such freshness and such loving care, that is seems to the eye to have been only just painted. In the composition of this work, Raffaello imagined to himself the sorrow that the nearest and most affectionate relatives of the dead one feel in laying to rest the body of him who has been their best beloved, and on whom, in truth, the happiness, honor, and welfare of a whole family have depended. Our Lady is seen in a swoon; and the heads of all the figures are very gracious in their weeping, particularly that of St. John, who, with his hands clasped, bows his head in such a manner as to move the hardest heart in pity. And in truth, whoever considers the diligence, love, art and grace shown by this picture, has great reason to marvel, for it amazes all who behold it, what with the air of the figures, the beauty of the draperies, and in short, the supreme excellence that it reveals in every part.[13]
