“Gigi,” another Classic Musical

PAUL Michael Clark writes:
I read with interest your readers’ recent thoughts about classic screen musicals. One film I think particularly noteworthy in that context is 1958’s Gigi. It serves as a reference point in the erosion of Hollywood’s Motion Picture Production Code (“Hays Code”), the industry’s now-extinct set of moral guidelines — that’s to say, in the erosion of cultural standards in general.
Gigi’s creepy plot, about a teenager being groomed by female relatives as a courtesan, became defused in the eyes of many Eisenhower-era moviegoers thanks to the film’s cheerful cinematic sweep and high production values (including first-rate songs by Lerner and Loewe of My Fair Lady fame, another adapted story about female transformation). Certain concessions were necessary, of course, in the face of what filmmakers considered the public’s stilted bourgeois values.
For starters Gigi’s age was left unstated, as opposed to being 15 in the source material, a 1944 novella by Parisian author Colette. Filmmakers also chose an actress in her mid-twenties, Leslie Caron, for the title role though they patently portrayed the character as significantly younger.
Those involved in the production, to be certain, held no illusions about Gigi’s age. In 2024, at age 93, Miss Caron gave an interview to British magazine The Oldie, whose reporter noted how “When filming Gigi, she was a 26-year-old mother with an infant son, yet she carried off the part as a gamine 14-year-old,” then quoted the actress herself:
I was still feeding my little Christopher. My bosom was a little too voluptuous for a girl of 14 and I said to [costumer] Madame Karinska, “Why don’t we have braids to keep this little gilet?” Otherwise I looked too maternal.
Nine years earlier, a French movie adaptation of Colette’s tale earned a Condemned rating from the Catholic-sponsored National Legion of Decency, which concluded that the film “condones and glorifies immorality.” But the Legion proved lenient toward the Hollywood version, classifying it as “Morally Unobjectionable for Adults.” This was due primarily to two factors besides fudging Gigi’s age: an ending that putatively affirms marriage, and the framing of her courtesan training more as aristocratic etiquette lessons than what they subtly represented.













