
FROM Christian Sheep and Satan’s Wolves by James Combs (New Christian Crusade Church, 1971):
The latest Jewish viciousness pawned off on Christians was glowingly described by Jewish TIME magazine (June 21, 1971). To degrade Christ, a vulgar “Jesus Revolution” has been energetically launched. One of the successful features of this blasphemy is the much-acclaimed stage drama Godspell. The Jew Stephen Nathan “stars” in it. The damning symbol of the “revolution” is pictured on page 61 of the TIME issue: a communist clenched -fist salute, with the forefinger pointing skyward !
If Christian belief in a hereafter can be destroyed and replaced with the Jew philosophy that you only have one life, and should make the most of it; then Jewry can tempt, with materialism and vice, weak men to yield to whatever Jewry desires. It is related in St. Matthew 23: 15 that Christ said to the Jews: “Woe unto you, scribes and Pharisees, hypocrites! for ye compass sea and land to make one proselyte, and when he is made, ye make him twofold more the child of hell than yourselves. ” How true this must be for all the ministers, businessmen, teachers and politicians who have played the Jewish “brotherhood” game and have sold out their white race, Christianity, and their nation!
Cultural Degeneracy Programs
To further soften up Traditional America, so that it will not have moral will to resist Jewish plans, including racial decay, Jewry has instituted many “programs” of a cultural -distorting nature.
Music
At least since the early 1920’s, negro music has been the basis for American musical “culture. ” To point this up, an article in the MEMPHIS COMMERCIAL APPEAL (January 27, 1971) gave some revealing information. Public school music teachers were encouraged or forced to attend a program in Memphis, Tennessee, which aimed at giving blacks their “proper recognition” in history. Black songs from Africa were sung (“e je ko node ko na o”), and black “instruments” were studied. A white degenerate, believed gentile, and a black, both on federal funds, directed the affair. They told their audience, “…textbooks lie about the Negro’s roles in history, also that credit for inspiring the blues, acid rock and cool jazz has been denied the Negroes. ” This sickening display of ill-used tax-payers’ money is noteworthy only to the extent that it indicates Negroes should be given credit for “inspiring” degraded “music” into Traditional America.
(more…)