“NOW, when we say that Americans are being held in mental bondage, what do we mean? We mean that every newspaper, radio station, television station, magazine and stage and screen play has been edited by Jewish agents to remove any reference to their crimes and to keep the gentile masses in a condition of sleep. This would be a fantastic statement, if we did not have at hand the annual reports of the organizations which perform this censorship. Foremost is the Anti-Defamation League of B’nai B’rith, with the American Jewish Committee and the American Jewish Congress as other important agents of censorship.
“These groups issue annual reports in which they document the fact that their agents check every public presentation of any kind, written or staged, and delete any references to Jewish misdeeds. As a writer, I have followed the ADL operations closely for twenty years. If I submit a story to the Saturday Evening Post, an ADL staff member, whose salary is paid by the magazine, checks the story for any reference to Jewish activities, and also checks a blacklist to see if my name is there as a critic of the Jews. Even if the story contains no reference to the Jews, it is rejected because my name is on the Jewish blacklist, and I must be prevented first, from earning any money from my writings, and second, from reaching an audience.
“If I submit a manuscript to a publishing house, it is again checked first for references to the Jews, and second, to see if its author is on the Jewish blacklist. In this manner, the Jews prevent any gentile writer from reaching the public if he is known to be indifferent or hostile to their goals, if he has refused to become a member of the shabez goi class. Any publication which rejects Jewish censorship is either driven out of business, or taken over by Jewish financial interests. A book which is published by gentiles who are not of the shabez goi class is ignored by the book review departments of mass publications, and bookstores refuse to stock it, for their stocks are reviewed monthly by traveling ADL agents who enter the store incognito, inspect the stock, and if any publication is found which mentions the Jews, the proprietor is threatened with various weapons, lawsuits, government action, or financial revenge.”
“Many gentile publications, such as the Literary Digest, Liberty Magazine, and others have been driven out of business by the ADL , not because they published “anti-Semitic” articles, but because they refused to let ADL inspectors control their operations. Other magazines, such as Collier’s, were prosperous publications, but Jews took over their editorial staffs and filled their pages with hysterical invective against anyone who opposed them, until the disgusted subscribers quit reading them.
“The Saturday Evening Post is now traveling this road of no return. Once a virile publication which reached a respectable percentage of the American middle class, it has become a vicious and irresponsible organ of Jewish propaganda, and is facing bankruptcy for this one reason. So important has it become to the Jews that Martin Ackerman, a Jewish entrepreneur, recently rushed in with a five million dollar loan. A week later, he announced that he had recouped his loan by selling the Saturday Evening Post subscription list to Life Magazine, a typical wheel-and-deal operation. Nevertheless, the Saturday Evening Post is doomed to go the way of Collier’s, for, under its present editors, it is a sick and vile publication. ADL agents fill its pages with their garbage as they try to brainwash the American people. Typical was a vicious and unprovoked attack against the American businessman, H. L. Hunt, in a recent issue of the Saturday Evening Post, written by a professional clown named William Buckley. This article referred to Mr. Hunt as a ‘boob with appallingly bad manners’ a ‘buffoon’ and other sneering Jewish epithets. One ostensible reason for Buckley’s attack may have been Mr. Hunt’s refusal to contribute to the staggering losses suffered by Buckley’s venture into publishing, the National Review, which was neither national nor a review.”
— Eustace Mullins, 1967
