ALAN writes:
Fifty years ago, there were only three television networks in America and no such thing as around-the-clock TV entertainment. But some Americans thought that even that was too much.
Years before Marie Winn’s The Plug-In Drug (1977) and Neil Postman’s Amusing Ourselves to Death (1985), veteran entertainer and show business legend George Jessel saw a menace in push-button entertainment so easily available. In 1968, he said in The Great Comedians Talk About Comedy [Citadel Press, 1968]:
“…..I think the amount of television we have is a terrible curse to our country…..because I see us completely degenerating. ….the nation has been sort of intrigued or drugged to stay at home…..”
“There’s so little show business today in the United States,” he said, meaning: So little live theater of the kind where you could take your children and your Aunt Tilly on a Saturday afternoon. He was remembering a time when stage plays were common and where you had to get dressed up to go and where your children could learn how to dress and behave properly in public settings.
At one time there were 25 theaters in St. Louis that offered live entertainment ranging from vaudeville to stage plays, and performers ranging from Ethel Barrymore, Sarah Bernhardt, and Bob Hope to Jack Benny, Fred Astaire, and George Jessel. All but three of those theaters were demolished—along with the frame of mind in which people understood entertainment to be something out of the ordinary, a special occasion, something set apart. (more…)