The Hunger for the Heroic

THOMAS F. BERTONNEAU writes:
This week the text in my course on “Science Fiction in Literature and Film” is Edgar Rice Burroughs’ first-published work, A Princess of Mars (1912 – original title, Under the Moons of Mars). The protagonist is John Carter, formerly of the Army of Virginia under General Lee, who, succumbing to a paralyzing gas in an Arizona Cave circa 1870, wakes up on Mars and begins his rise through the strata of Martian society. He finds a helpmate in the beautiful and resourceful Dejah Thoris, Princess of the Twin Cities of Helium. It is essentially a chivalric romance on another planet. Predictably, the women in the class speak out positively in praise of the novel, which they like a good deal more than they liked The World Set Free and The Food of the Gods by H. G. Wells or Last and First Men by W. Olaf Stapledon. They do not consciously realise how opposite to the feminist values that they have learned elsewhere A Princess of Mars is, but they intuit it. The men like Burroughs too. A couple of years ago I wrote an article (it appeared at The Brussels Journal) on “Edgar Rice Burroughs and Masculine Narrative.”
I believe that college students are starved for moral narrative, of the kind once offered by Howard Pyle. There is nothing PC in Burroughs, but the characters male and female are independent, decent, loyal, resourceful, stalwart, and courageous.



