Thirteen Reasons Why Not
THOMAS F. BERTONNEAU writes:
It came to my attention recently that the current reading assignment in my son’s tenth-grade English class involves Jay Asher’s so-called young adult novel Thirteen Reasons Why (2009). Asher’s publishers have pushed his book skillfully and have succeeded in insinuating it in high school reading lists across the nation. Commercially, Asher has scored a hit, with a captive audience of high school students.
What to say about Thirteen Reasons Why? The Amazon webpage devoted to Asher’s title cites the Booklist summary of the plot: “When Clay Jenson plays the cassette tapes he received in a mysterious package, he’s surprised to hear the voice of dead classmate Hannah Baker. He’s one of [thirteen] people who receive Hannah’s story, which details the circumstances that led to her suicide. Clay spends the rest of the day and long into the night listening to Hannah’s voice and going to the locations she wants him to visit. The text alternates, sometimes quickly, between Hannah’s voice (italicized) and Clay’s thoughts as he listens to her words, which illuminate betrayals and secrets that demonstrate the consequences of even small actions.” Does it sound like a soap opera in prose? It is that assuredly, but it is regrettably much worse than that.



