Love and Prayer in the New Age
THOMAS F. BERTONNEAU writes: I have not seen Eat Pray Love and have no plans to see it. (I’m pretty sure I’d rather be water-boarded.) I am simply commenting on the “still” from the movie posted in the recent entry. “Narcissism” is technically the right word for designating the psychological state that generates this image – of how people who think of themselves as “cool,” “sophisticated,” and “deeply spiritual” want to be seen – but by itself it is too clinical to do justice to the jejuneness of the mise-en-scène. Notice how Roberts and her actor-partner Javier Bardem are central to the tableau. The tableau itself is non-Western; it looks vaguely Indian or Ceylonese, but in a thoroughly scrubbed-up way. It is, in other words, nothing but a decorative scrim whose purpose is to set the mutual fixation of the two “stars” in an exotic (really, a faux exotic) context. Now consider the fixation, as such. Neither party is smiling, which one would expect if they were contemplating one another in a pitch of romantic emotion. So what exactly does the mutual absorption signify? I borrow a few ideas from René Girard, the world’s leading theoretician of narcissism, coquetry, self-involvement, and resentment. Roberts is looking at Bardem looking at her, and vice versa. Both are therefore looking at themselves, each using the other as a mirror. (This is the etymological narcissism: Narcissus glimpsed his reflection in a lily-pond and…
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