Woman Plucking a Duck (1656), Nicholas Maes

I SAW this beautiful painting by the Dutch artist Nicholas Maes yesterday and, to me, it conveyed the dark ambivalence that may afflict anyone who has engaged in many days of Christmas cooking. The spilled fruit, stalking cat and gun propped against the wall might be interpreted as looming death and disorder, repressed sexuality or, to the postmodern critic, stultifying domestic tyranny, but, under the influence of the season, I viewed them as representative of the cook’s state of mind, which might be summed up in the words, “To heck with it, let the cat eat the bird.”   

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