DANIEL S. writes:

The New York Times published an opinion piece on Friday by a certain Wendy Button, a single, middle-aged woman and Democratic operative (i.e. the model feminist). Button was the victim of a home break-in at one point and said she considered buying a gun to defend herself in the aftermath. She reconsidered after suffering from a bout of depression in which she apparently struggled with suicidal impulses. The entire point of her column from what I could discern is that she wants gun control so that people who suffer from depression will not be able to commit suicide by shooting themselves (as if someone determined to end their life would not find some other method).

The message that I took away from the article is that the feminist lifestyle leads to depression, the progressives want the state to micromanage their lives (and ours!), and that liberals will find any weird or absurd excuse to abolish the Second Amendment.

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LYDIA SHERMAN writes:

I think your readers would be interested in this video.

It is full of personal testimonies about the results of gun control in Australia, which instituted a ban in1997 which required all ciitizens to turn in semi-automatic and assault weapons. The law also requires that homeowners keep their guns locked up and unloaded.

It shows that “the cost of lost liberty can be measured in the loss of life.”

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  THIS IS a charming portrait by the American artist Thomas Sully of the actress Charlotte Cushman. Here is some background by the Library Company of Philadelphia: Charlotte Cushman (1816-1876) was a Boston-born actress who became the leading American stage actress and immensely famous in both America and England. Cushman was the stage manager of the Walnut Street Theater in Philadelphia from 1842 to 1844, and this portrait was painted during that time. She was acclaimed for her strong and dramatic performances in roles such as Lady Macbeth. Cushman was also fond of male roles, particularly Romeo in Romeo and Juliet. In this portrait, Sully captured Cushman in character as Beatrice in Shakespeare’s Much Ado About Nothing. The style of the painting is direct and emotionally expressive. Upon viewing the painting, Cushman would remark that it “established in my mind as a settled fact that I am beautiful.”[2] This painting remains an example of not only Sully’s skill but also as a record of a talented and successful female artist.

JULIA ANN writes:

DANIEL S. writes:

Liberal pundits such as the repulsive Piers Morgan have spent quite a bit of time over the past few weeks casting Britain as some sort of violence-free paradise due to its draconian gun control legislation, in contrast with America which is supposedly overrun with mass shooters and the like. Meanwhile, reality in gun-free Britain is something else entirely. Muslim rape gangs have been forcing through the most brutal of methods (including assorted forms of torture) white British girls as young as eleven into sexual slavery and prostitution. In other parts of London radical Muslim thugs have been enforcing a de facto shariah regime in Muslim majority areas, with those who imbibe alcohol or wear clothing not in accord with Islamic law receiving threats and harassment.

Britain is now a dystopic, crime-ridden, multicultural, surveillance state (think Nineteen Eighty-Four meets The Camp of the Saints), but at least it has banned assault weapons.

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DANIEL S. writes:

Judie Brown of Life Site News wants to know what is the exact nature of the relationship between Archbishop Timothy Dolan and the “Catholic” governor of New York Andrew Cuomo, notorious for his aggressive promotion of both abortion and homosexuality. Dolan and other bishops in New York have been emphatic about not denying Cuomo and other pro-abortion, pro-homosexuality “Catholic” politicians Holy Communion. To make the matter more troubling, Dolan seems to enjoy a chummy relationship with Cuomo according to Brown.  (more…)

ONE OF THE interesting things about used books – that is, books bought secondhand — is that they often bear traces of their former owners. On the negative side, there are the underlinings and notes on the pages themselves, sometimes revealing personal obsessions or preoccupations in the passages marked with exclamation points or double lines. I find these distracting, a form of literary graffiti that is often a desecration of a book.

There are also book plates and dedications on the first pages or inside the cover, such as “To Cindy — Merry Christmas/ Love, Aunt Margaret, 1962.” These dedications are charming and seem to leave a book with traces of living affection.

Then there are bookmarks or other papers, such as store coupons, left in the books themselves. Recently a piece of paper flew out of a used book when I picked it up from a shelf. I absent-mindedly put the paper on my night table. I then came across it later and read it. Written in a trembling hand, it said:

A Possible Prayer

Please, Please Lord heal me, let me live for I have much I desire to do, but if I must die, let it be peaceful and let me go this path with great love.

The page was dated January 19, 1997. As I read it, I felt an uplifting connection with the person who had held the same book, whomever he was and wherever he is. Alive or dead.

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AT Camera Lucida, Kidist Paulos Asrat writes about the Golden Globe Awards:

None of the films sounded attractive, imaginative, interesting, beautiful, thought provoking, educational, or any of the normal reasons one goes to the movies. Instead, they sounded like horror movies with grotesque story lines, or with over-the-top sexually active characters, or just plain boring. Also, it costs about $15 to watch a movie these days, which is about 2/3 the price of a dinner in a restaurant, which [is] preferable to sitting in a dark room being terrorized by a sadistic film director.

So, I was surprised when all (98%) of the women came to the Golden Globes dressed in classic – and I mean those classic Golden Ages of American Cinema – gowns. I shouldn’t be surprised, though, since this has become the standard actress persona: make ugly films, but dress up in beautiful gowns in public appearances.

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JAMES P. writes:

The simpering lack of manliness described by Wheeler MacPherson in your recent entry is, in my opinion, the product of the leftist dogma that equality is good, and that hierarchy and authority are bad. When applied to the family, this means leftists do not believe that parents should exert authority over their children. Crazy as this may seem, I have seen it in action. Time after time, other parents weakly ask — even plead — for their children to do something, instead of exerting their proper, loving authority and telling them what to do.

The absurd leftist formula is captured in this article about “consensual living,” which advocates that parents and children should have an equal say in family decisions. Some excerpts with my comments:

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A WOMAN named Elif Koch writes in The Atlantic of being denied admission to Deep Springs, a liberal arts college located on a cattle ranch and alfalfa farm in the desert of California. Miss Koch, who believes the world is interested in this utterly trivial infringement of her personal desires and is wholly oblivious to the recent feminization of colleges, argues that higher education is limited for women because it does not offer them the sort of experience available at Deep Springs, which emphasizes learning and rugged, dude labor. This is similar to a man stating that because he was not accepted onto the Notre Dame football team, higher education is closed to him.

The all-male outpost of Deep Springs has only remained all-male by court decree. Even the current board of trustees, no doubt worried to death of lawsuits by the likes of Miss Koch, wants it to go co-ed. Nevertheless, Miss Koch smells a conspiracy.

She writes:

The fact of the matter is that young women face a lack of diversity in their higher education. Young men do not pine over all-women schools like Bryn Mawr or Scripps because there are reasonably similar co-educational programs. However, there is not a school like Deep Springs that is available to young women. (more…)

DANIEL S. writes:

Brett McKay of The Art of Manliness website has written several worthwhile columns exploring the history of the idea and importance of manly honor, a concept much lacking among the majorty of postmodern males in the West. He starts:

Across cultures and time, honor and manliness have been inextricably tied together. In many cases, they were synonymous. Honor lost was manhood lost. Because honor was such a central aspect of a man’s masculine identity, men would go to great lengths to win honor and prevent its loss.

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WHATEVER ONE thinks of the face of the Duchess of Cambridge, whether one finds it as mesmerizingly insipid as I do or beautiful, this official portrait of her by Paul Emsley is an abomination. Yes, it is a painting, one which erases entirely the glorious tradition of British portraiture. Joseph McKenzie at Taki’s Mag captures it:

Instead of a portrait, Emsley has produced an overblown mug shot. All mug shots are unflattering because they have nothing to do with the human soul’s depths. Kate Middleton is more than the sum of her facial attributes glacially rendered by an uninspired technician’s cold hand.

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ACCORDING TO CBS BALTIMORE:

[T]wo 6-year-old boys were suspended while playing cops and robbers during recess and using their fingers to make an imaginary gun.

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JOE A. writes:

I just got off the phone with Senator Bob Casey’s Philadelphia office. I spoke with some twentysomething girl (they used to be “women” at that age). I asked her a series of Socratic questions. Here is a paraphrase of our conversation, which was not recorded:

Ring, ring, ring …

“Hello. Bob Casey’s office can I help you?”

I want to talk about gun control.

“Okay, you can talk to me.”

Great. So Bob Casey wants us to ban “assault weapons,” whatever that means.

“Yes.”

So we’re to turn over our guns?

“Yes.”

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ONE WOULD think that a Supreme Court justice might have a consuming interest in, well, the law. According to Damon W. Root at Reason.com, Sonia Sotomayor’s new memoir My Beloved World contains “no discussion of Sotomayor’s many years as a federal judge and no mention of any sort of legal philosophy that might be guiding her approach to the law.” It does talk about her “struggles” with diabetes, her brilliant school career and her wedding night.

Sotomayor is the sort of intellectual lightweight that rises to the top today. Before the advent of feminist preferences, bright women found ways to succeed. With the reign of feminist preferences, not-so-bright women find ways to succeed.

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